At Sumi's house in Charlotte with Allie Marguccio
Wednesday, June 18, 2014
Le Puy-en-Velay is a medieval city in the Haute-Loire department in south-central France near the Loire river. Le Puy is famous as the starting point for the pilgrimage route to Santiago de Campostela. Each morning, pilgrims are blessed in front of the statue of St. Jacques in the Cathedrale de Notre Dame du Puy before starting on the 1600 kilometer trek to Spain. The cathedral also has a Black Madonna and beautiful art and architecture.
On a hill overlooking the city is a huge iron statue of Notre Dame de France, made from 213 Russian cannons from the Siege of Sebastopol .The view is well worth the climb up the hill.
Le Puy is also known for its green lentils- we had some for lunch with sausages and they are very good – and for its green liquor “Verveine”, flavored with verbena. Verveine candies make a nice souvenir. Narrow cobblestone streets make driving and parking difficult but walking and shopping are excellent.
Most important- Le Puy is famous for lace. Lace has been made in Le Puy since the 15th century. According to legend, in 1407 the bishop of Le Puy asked a young needlewoman named Isabelle Mamour to decorate the cloak of the Black Virgin. Looking to create a fabric fine enough for this task, she created lace. It is also said that during the Middle Ages, because of its prominence on the pilgrimage route, Le Puy attracted many merchants, shoppers and travelling peddlars. It was the peddlars who introduced lace in Le Puy and taught the locals how to make it. Whatever the truth of these legends, there are many shops that sell lace and lace making equipment.
Le Puy is well known for Cluny lace, made with bobbins and continuous threads, with geometric motifs and point d’esprit (leaves and tallies). You can also find beautiful examples of blonde lace, made in silk.
We went to the Centre d’Enseignementde la Dentelle au Fuseaux, at 44 Rue Raphael. This center’s goals are to maintain the tradition and practice of lacemaking through teaching and to safeguard their lacemaking heritage. It offers on site classes in lacemaking and correspondence courses. The building houses an exhibition room where we saw every type of hats, bonnets, veils and mantillas you could imagine, in every type of lace. There are many different types of pillows displayed, as well as hundreds of pieces of lace – on the walls, in drawers, on pillows and on models. There is an atelier where classes are taught and a shop, De Fil en Fuseau, next door, with a large selection of books, pillows, bobbins, threads, patterns and lace-themed souvenirs. The center also publishes a quarterly magazine, “La Dentelle”.
The next morning we went to “L’Atelier Conservatoire National de la Dentelle du Puy en Velay” at 32 rue du 86th Regiment, Le Puy. This is a national workshop, supported by the French Ministry of Culture, created to protect France’s heritage of lacemaking. Their mission includes providing the State with traditional lace (for example table linens for the Presidential Palace) and to create contemporary lace pieces in collaboration with artists and designers. The atelier employs a director, a patternmaker, five lacemakers and an administrative assistant. The lacemakers are chosen by competition, and the pieces they make are kept in the national collection. The workshop is open to the public for two hours each day. The patternmaker and the lacemakers explain (in French, bien sûr) the pieces they are working on – how the artist conceived of the piece, how it was drawn and the patterns made, what stitches and styles are chosen to interpret the design, how the laces are compiled into the final piece and how it will be displayed. The day we were there, they were working on an artist’s interpretation of a Persian carpet in Torchon lace (quite large, perhaps five feet by seven feet), a Louis XIV style wig done in tape lace with raised tallies, a tablecloth covered in books made of lace, and a group of very realistic flowers and twigs done in silk on a round circle of lace ground. The lacemakers were very happy to answer questions. No photographs, though. The studio is upstairs with lots of light and there were display cases of pillows, bobbins and lace everywhere. One interesting display was a large bed pillow covered in black silk lace flies, designed by Didier Trenet – très interessant! This link takes you to an online book - page 14 is M. Trenet's flies (not on a pillow, in a frame) and page 22 is a map of Europe in lace, made by the atelier.
The next day, we drove to Retournac, a small quiet town about 40 kilometers (45 minutes) from Le Puy. There we visited the Museé des Manufactures de Dentelles, a museum dedicated to “the men and women who lived to the rhythm of bobbins. Discover their daily life, their beliefs and their cares”. The large stone building has a collection of more than 450,000 pieces of lace. There is an enormous display covering the history of lace from the middle ages to the present, with brochures in both French and English. There are displays about the working life of lacemakers, how lace is designed, the home life of the workers, and many examples of finished articles of clothing. There is a fascinating collection of lace making machines – even one that you can crank by hand. And of course, there is a shop where you can buy souvenirs and patterns. I have been a subscriber to their patterns for several years, so it was a special treat to be able to purchase some in person. The patterns are mostly of Cluny lace, drawn by their designers from pieces of lace in their collection.
We wanted to see the Musee Crozatier, with an excellent collection of lace, but it was closed for renovation. Maybe next time.